Thursday, April 21, 2011

Wasted Beauty


While he was in Bethany, reclining at the table in the home of Simon the Leper, a woman came with an alabaster jar of very expensive perfume, made of pure nard. She broke the jar and poured the perfume on his head.

Some of those present were saying indignantly to one another, “Why this waste of perfume? It could have been sold for more than a year’s wages and the money given to the poor.” And they rebuked her harshly.

“Leave her alone,” said Jesus. “Why are you bothering her? She has done a beautiful thing to me. – Mark 14.3-6 (NIV)

I would venture to suggest that most folks who have been involved in an artistic endeavor have wrestled with the notion that the resources used to create could have been better employed for a more practical purpose. It is a very sensible and human instinct. Resources are finite and must be managed and rationed. And there are those without physical resources who would find the money that paid for that paint or that guitar or that camera a great help in paying for their food, clothing and shelter. This is the case made by those present at the meal in this scene in the Gospel of Mark. There are more practical uses for this expensive perfume. Did she have to use all of it? Wouldn’t half of it have made the point? Use half, sell half. Better yet, use one quarter, sell three quarters. They believed the perfume applied in this way was wasted. But Jesus pushes back at their contention asserting that they have witnessed something beautiful, and yet have not recognized it as such. I think we miss much that is beautiful today for the same reason I believe Jesus’ fellow diners missed it then. We fail to understand that beauty is wasteful, and thus fail to appreciate the wastefulness of beauty.

Jesus later in the same story states that this woman, “…poured perfume on my body beforehand to prepare for my burial.” (NIV) This dinner scene takes place just days before Jesus will be crucified, during Holy Week. There is a sense in which the lavish, profligate use of this perfume gives a picture of what Jesus will do for humanity a few days later. Von Balthasar sees this Divine gift of the Divine self to humanity as a “squandering”, recognizing the recklessness with which the Father gives Himself away, resulting in the “divine recklessness of the Son, who allows himself to be squandered.”
This notion of squandering can be seen as extravagant, decadent, and magnanimously generous. It’s the Father giving Himself to the world through the obedience of the Son. Charles Colson coined what I think is a great phrase to describe this, “hilarious generosity.” This is a ludicrous gift, in that it is an over abundance of generosity, but what else has God to give to humanity than Godself? Everything else has been created by God and has already been given to humanity.

Humanity’s response to this gift however can tend to be skeptical and cautious at best, and is often openly hostile. It’s because of this response that this Divine recklessness and self squandering can also be seen as wasteful, misspent, frivolous and perhaps often fruitless. God knew this generosity would be abused and misused, as was every kindness God’s ever shown to humanity, and yet God chose to “waste” God’s over abundance on some who would never appreciate that abundance nor recognize that anything was actually given. However it is this act of hilarious generosity in the face of this lethargic, cynical and at times antagonistic response to the gift that is the heart of beauty.

This over abundance, this grace, is God’s attractiveness. These generous acts are what reveal what is in God’s heart. The Son’s actions through his life, consummated by Good Friday leave the Father’s heart exposed for the entire world to see, and what is divulged is a heart that will go to inconceivable lengths to reveal a committed, determined, intransigent love. If it were not for the Son who was willing to be squandered and wasted we would not know this. This wastefulness is the heart of God’s grace, and the heart of God’s attractiveness, thus is the core of God’s beauty. All Christian endeavors, be they artistic or more practical, should then remember that a resource’s most practical use isn’t always its best use.

Tuesday, April 12, 2011

The Aesthetics of Glory


Now if we are children, then we are heirs—heirs of God and co-heirs with Christ, if indeed we share in his sufferings in order that we may also share in his glory. -Romans 8.17

I like the idea that glory is an inherently aesthetic word; that is glory is something that can be seen with our naked eyes. It’s often referred to in terms of “streams of light”, or “beauty” or “brightness”, which are all visual terms; light, beauty and brightness all being consumed through the eyes. I’m not sure we generally tend to link the beauty and attractiveness of glory with the experience of suffering. Paul does, and not just here in Romans. In this instance he directly links the beauty and brightness of glory with the suffering of the cross, hitting at the heart of a truth that at first may seem counter-intuitive to us.

I want to walk down the trail of one of the ways I understand their connection and see if this relationship might make more sense. At the heart of the event of the cross is the absolute articulation of the Father’s deep love for the world expressed through the Son’s self-gifting obedience to the Father. The Son gives himself to the Father who directs the Son to give himself completely to rebellious, proud, obstinate, and darkened humanity so as to experience in his body the violence inherent in the broken relationship between humanity and the Divine. In this act of obedience the Son experiences the brutality of humanity’s sin, but also mysteriously experiences as a human himself the separation from the Divine caused by sin as the Father allows this self-gifting act to operate as an act of atonement. This amazing drama of love and grace played out on the world stage for all humanity to see, for those of us who are Christians, serves to attract us to God. It’s this act that reveals most completely the extent of the Father’s love for the fallen world and the lengths to which the Father will go to bring humanity home into the strong embrace of His love. With the cross the Father declares to the world, “Don’t you ever doubt that I love you.”

This love revealed through the cross is what attracts me to God. It’s what I find beautiful. When I “see” the Son suffering on the cross, I’m seeing the glory, beauty, brightness of God. Michael Pritzl of The Violet Burning in his song “The Face of Beauty” articulates it well when he sings, “I’ve seen the face of beauty/His head is crowned with thorns/His face is ripped and torn/I’ve seen the King in all his strength”

So if God’s glory is linked to Christ’s suffering, what does that have to do with those of us who have staked our lives on what we believe to be the absolute importance of this event? In this simple sentence of Paul’s he suggests it has everything to do with us and the manner in which we make our choices, so as to also, through our lives, reveal the beauty, brightness and glory of God. If, as I believe, God’s glory is most clearly revealed through God’s self-gifting love, then when we are able to love our spouse, children, neighbors, co-workers, strangers, enemies, and fellow church goers with something like the self-gifting love the Father gives us, even when, and perhaps especially when that love involves suffering, distress or pain, we reveal a little of the beauty, brightness, and light of God. When we love in this way we shine God’s glory, thus helping people to see the beauty of God. In the end beauty must be seen to be appreciated. The Son is at the right hand of the Father. It is now the Holy Spirit working in and through us as we love those around us which makes this beauty/glory visible.